Normal view MARC view ISBD view

The grass is singing Doris Lessing [FICTION]

By: Lessing 1919-2013.
Material type: TextTextPublisher: london Fourth estate 2013Description: 206 pages 20 cm pbk.ISBN: 9780007498802.Subject(s): Farm life -- Zimbabwe -- Fiction | Zimbabwe -- Social conditions -- 1890-1965 -- Fiction | Zimbabwe -- Race relations -- Fiction | CL | CLA - ClassicsDDC classification: 823.914
    average rating: 0.0 (0 votes)
Item type Current location Collection Call number Status Date due Barcode
Fiction FIC 823.914 LES (Browse shelf) Available R20272L1713

Enhanced descriptions from Syndetics:

<p>The Nobel Prize-winner Doris Lessing's first novel is a taut and tragic portrayal of a crumbling marriage, set in South Africa during the years of Arpartheid.</p> <p>Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.</p> <p>A masterpiece of realism, 'The Grass is Singing' is a superb evocation of Africa's majestic beauty, an intense psychological portrait of lives in confusion and, most of all, a fearless exploration of the ideology of white supremacy.</p>

Originally published: London: Michael Joseph, 1950

Set in Rhodesia, 'The Grass is Singing' tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush and viciously abuses the black South Africans who work on their farm. But after many years, trapped by poverty, sapped by the heat of their tiny house, the lonely and frightened Mary turns to Moses, the black cook, for kindness and understanding.

Excerpt provided by Syndetics

<opt> <anon I1="BLANK" I2="BLANK">The Grass Is Singing A Novel Chapter One Murder Mystery By Special Correspondent Mary Turner, wife of Richard Turner, a farmer at Ngesi, was found murdered on the front veranda of their homestead yesterday morning. The houseboy, who has been arrested, has confessed to the crime. No motive has been discovered. It is thought he was in search of valuables. The newspaper did not say much. People all over the country must have glanced at the paragraph with its sensational heading and felt a little spurt of anger mingled with what was almost satisfaction, as if some belief had been confirmed, as if something had happened which could only have been expected. When natives steal, murder or rape, that is the feeling white people have. And then they turned the page to something else. But the people in "the district" who knew the Turners, either by sight, or from gossiping about them for so many turn the page so quickly. Many must have the paragraph, put it among old letters, or between the pages of a book, keeping it perhaps as an omen or a at the yellowing piece of paper with closed, secretive faces. For they did not discuss the murder; that was extraordinary thing about it. It was as if they had a sixth sense which told them everything there was to be known, the three people in a position to explain the facts said nothing. The murder was simply not discussed. "A bad business," someone would remark; and the faces of the people round about would put on that reserved and guarded look. "A very bad business," came the reply--and that was the end of it. There was, it seemed, a tacit agreement that the Turner case should not be given undue publicity by gossip. Yet it was a farming district, where those isolated white families met only very occasionally, hungry for contact with their own kind, to talk and discuss and pull to pieces, all speaking at once, making the most of an hour or so's companionship before returning to their farms where they saw only their own faces and the faces of their black servants for weeks on end. Normally that murder would have been discussed for months; people would have been positively grateful for something to talk about. To an outsider it would seem perhaps as if the energetic Charlie Slatter had traveled from farm to farm over the district telling people to keep quiet; but that was something that would never have occurred to him. The steps he took (and he made not one mistake) were taken apparently instinctively and without conscious planning. The most interesting thing about the whole affair was this silent, unconscious agreement. Everyone behaved Eke a flock of birds who communicate--or so it seems--by means of a kind of telepathy. Long before the murder marked them out, people spoke of the Turners in the hard, careless voices reserved for misfits, outlaws and the self-exiled. The Turners were disliked, though few of their neighbors had ever met them, or even seen them in the distance. Yet what was there to dislike? They simply "kept themselves to themselves"; that was all. They were never seen at district dances, or fetes, or gym-khanas. They must have had something to be ashamed of; that was the feeling. It was not right to seclude themselves like that; it was a slap in the face of everyone else; what had they got to be so stuck-up about? What, indeed! Living the way they did! That little box of a house--it was forgivable as a temporary dwelling, but not to live in permanently. Why, some natives (though not many, thank heavens) had houses as good; and it would give them a bad impression to see white people living in such a way. And then it was that someone used the phrase "poor whites." It caused disquiet. There was no great money--cleavage in those days (that was before the era of the tobacco barons), but there was certainly a race division. The small com-munity of Afrikaners had their own fives, and the Britishers ignored them. "Poor whites" were Afrikaners, never British. But the person who said the Turners were poor whites stuck to it defiantly. What was the difference? What was a poor white? It was the way one lived, a question of standards. All the Turners needed were a drove of children to make them poor whites. Though the arguments were unanswerable, people would still not think of them as poor whites. To do that would be letting the side down. The Turners were British, after all. Thus the district handled the Turners--in accordance with that esptit de corps which is the first rule of South African society, but which the Turners themselves ignored. They apparently did not recognize the need for esptit de corps; that, really, was why they were hated. The more one thinks about it, the more extraordinary the case becomes. Not the murder itself; but the way people felt about it, the way they pitied Dick Turner with a fine fierce indignation against Mary, as if she were something unpleasant and unclean, and it served her right to get murdered. But they did not ask questions. For instance, they must have wondered who that "Special Correspondent" was. Someone in the district sent in the news, for the paragraph was not in newspaper language. But who? Marston, the assistant, left the district immediately after the murder. Denham, the policeman, might have written to the paper in a personal capacity, but it was not likely. There remained Charlie Slatter, who knew more about the Turners than anyone else, and was there on the day of the murder. One could say that he practically controlled the handling of the case, even taking precedence over the Sergeant himself. And people felt that to be quite right and proper. Whom should it concern, if not the white farmers, that a silly woman got herself murdered by a native for reasons people might think about, but never, never mentioned? The Grass Is Singing A Novel . Copyright © by Doris Lessing. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from The Grass Is Singing by Doris Lessing All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon> </opt>

There are no comments for this item.

Log in to your account to post a comment.